Eclipse,

1987

In Graves’s art, the formal vocabulary of abstraction collides with imagery drawn from the world of nature and scientific observation. In the early 1970s, in the wake of the Apollo missions, Graves transformed lunar maps prepared by NASA into her own abstract visual language in a series of paintings. The sculpture Eclipse returns to a cosmological subject in a more oblique, yet humorous way—the title is drawn from the cast-iron object situated at the base, a vintage windmill weight in the shape of a crescent moon, on which the model name, “Eclipse,” is emblazoned in bold letters. In this work, Graves juxtaposed and merged painting and sculpture, nature and the man-made, while bringing unexpected and
poetic associations to the notion of an eclipse.