Currently not on view
The Beach at Trouville
Boudin took Claude Monet under his wing in the 1850s, when the aspiring artist was still in his teens. Monet came to embrace the older painter’s primary artistic concerns, which included a fascination with the transience of visual sensation and the effects of light and weather on the landscape. The young man also learned to value scenes of modern French life and leisure. Boudin was among the first artists to record the pleasures of the beach vacation, made possible by new railway lines to the northern French coast and the development of fashionable resort towns in Normandy during the Second Empire.
Information
1865
France, Normandie, Trouville (sur-Mer)
Cadart et Luquet, Paris; Laurence Hutton; gift of the Estate of Laurence Hutton; accessioned at University Library May 22, 1913; transferred to Museum November 3, 1950.
Robert Schmit, <em>Eugene Boudin, 1824-1898</em>, (Paris: Schmit, 1973)., 126, no. 347
3164 1973Mahonri Sharp Young and Katherine Wallace Paris, <em>Louis Eugene Boudin: precursor of Impressionism</em>, (Santa Barbara, CA: Santa Barbara Museum of Art, 1976)., no. 2 (illus.)
3166 1976Allen Rosenbaum and Francis F. Jones,<em> Selections from The Art Museum, Princeton University, </em>(Princeton, NJ: The Art Museum, Princeton University, 1986), p. 55 (illus.)
1899 1986Kermit Swiler Champa, Fronia E. Wissman, Deborah J. Johnson,<em> The rise of landscape painting in France: Corot to Monet</em>, (Manchester, NH; New York: H.N. Abrams, 1991). , cat. no. 3; p. 106 (illus.)
3167 1991John House and David Hopkin, <em>Impressionists by the sea</em>. (London and New York : Royal Academy of Arts; Distributed in the United States and Canada by Harry N. Abrams, 2007)., pp. 49,126, no. 15; pp. 57, 125 (illus.)
1216 2007Patrick Ramade, Christophe Marcheteau de Quincay, <em>Un ete au bord de l'eau: loisirs et impressionisme</em>, (Caen: Musée des Beaux-Arts, 2013)., pp. 16-17 (illus), p. 50 (illus), p. 51.
3165 2013Jean-Luc Douin, <em>120 ans de cinéma, Gaumont</em> (Paris: Éditions de La Martinière, Gaumont, 2015).
6835 2015