Currently not on view

Large White Net

Yayoi Kusama, born 1929, Matsumoto, Japan; active New York, NY and Tokyo
y1965-252
From a distance, this painting appears to be a pale white monochrome. On closer examination, however, a thin veil of arcs and skeins of paint form what appears to be a net across the surface through which a blue-toned underlayer is visible. Created during her first months as an émigré in New York, Kusama’s early paintings, such as Large White Net, were feats of endurance, made in working sessions that lasted up to fifty hours, at the end of which she might divide the canvas into multiple paintings. Kusama’s lengthy process entailed using small, repetitive gestures to produce an accretion of marks that seem to extend beyond the canvas indefinitely, reflecting her interest in compositional structures that suggest the mathematical concept of infinity.

More Context

Handbook Entry

Information

Object Number
y1965-252
Maker
Yayoi Kusama
Medium
Oil on canvas
Dates

1958

Dimensions
125 x 184 cm. (49 3/16 x 72 7/16 in.) frame: 136.2 × 188.4 × 8.9 cm (53 5/8 × 74 3/16 × 3 1/2 in.)
Credit Line
Gift of Mr. and Mrs. Harry L. Tepper
Materials
canvas, oil paint

Mr. and Mrs. Harry L. Tepper, East Orange, New Jersey, gift; to Princeton University Art Museum, 1965.

http://www.worldcat.org/oclc/915800244

Philip Larratt-Smith, Frances Morris, et. al., <em>Yayoi Kusama: obsessão infinita</em>, (Sao Paulo, Brazil: Instituto Tomie Ohtake, 2013).

6133 0
https://www.jstor.org/stable/3774554

"Acquisitions 1965 and 1966," <em>Record of the Art Museum, Princeton University </em>26, no. 1 (1967): p. 2, 19-32., p. 25

880 1967
http://www.worldcat.org/oclc/191864564

<em>Princeton University Art Museum: Handbook of the Collection</em> (New Haven, CT: Yale University Press, 2007), 172 (illus.)

474 2007
http://www.worldcat.org/oclc/865020505

<em>Princeton University Art Museum: Handbook of the Collections </em>(Princeton, NJ: Princeton University Art Museum, 2013), p. 222

1994 2013