Currently not on view
Large White Net
More Context
Handbook Entry
An even layer of dark paint; above that, a veil of white; and, finally, pallid arcs and skeins of paint that articulate small apertures through which the underlayers are visible: such simplicity of production belies the subtlety of effect. Yayoi Kusama’s careful manipulation of the thickness, fluidity, and density of the overlying web of lines renders a visual fabric in flux, wherein inchoate forms press forward or recede into the picture plane. As the title suggests, the painting evokes a net, and in that sense can be seen as a machine-woven canvas wrapped in a fabric of erratic loops of paint. Created during Kusama’s first months as an émigré in New York, <em>Large White Net</em> reflects the artist’s keen sensitivity to the artistic currents she encountered, and is fraught with her own concerns about obsession, repetition, seriality, and non-composition.
Information
1958
Mr. and Mrs. Harry L. Tepper, East Orange, New Jersey, gift; to Princeton University Art Museum, 1965.
Philip Larratt-Smith, Frances Morris, et. al., <em>Yayoi Kusama: obsessão infinita</em>, (Sao Paulo, Brazil: Instituto Tomie Ohtake, 2013).
6133 0"Acquisitions 1965 and 1966," <em>Record of the Art Museum, Princeton University </em>26, no. 1 (1967): p. 2, 19-32., p. 25
880 1967<em>Princeton University Art Museum: Handbook of the Collection</em> (New Haven, CT: Yale University Press, 2007), 172 (illus.)
474 2007<em>Princeton University Art Museum: Handbook of the Collections </em>(Princeton, NJ: Princeton University Art Museum, 2013), p. 222
1994 2013