Currently not on view

Double headrest with snuff containers (isigqiki)

Tsonga artist
1998-539 a-c

Among the most elegant sculptural objects from southern Africa, headrests supported the head and protected elaborate coiffures during sleep. By encouraging a deep sleep, they were believed to promote dreams, an important function for the Tsonga and northern Nguni, who communicated with deceased family members while in a dreamlike state. This double headrest with small bulbous snuff containers at each end was intended for a husband and wife. The tobacco mixture held in the containers would have been smoked before bed, producing a mild hallucinogenic effect for the sleeping couple.

Information

Object Number
1998-539 a-c
Maker
Tsonga
Medium
Wood, paint, and organic material
Dates

late 19th–20th century

Dimensions
15.0 cm x 75 cm x 4.8 cm (5 7/8 x 29 1/2 x 1 7/8 in.)
Credit Line
Bequest of John B. Elliott, Class of 1951
Place Made

Africa, Mozambique, Northeastern Transvaal

Materials
organic material, wood, paint

[possibly Peter Adler, London]; John B. Elliott, New York, NY by 1987; Princeton University Art Museum, 1998

https://www.jstor.org/stable/3774790

Margaret Rose Vendryes, "Africa in repose: stools and headrests," <em>Record of the Art Museum, Princeton University</em> 58 no. 1/2 (1999): p. 38-53., p. 48, fig. 16

3039 1999
https://www.jstor.org/stable/3774794

"Selected checklist of objects in the collection of African art," <em>Record of the Art Museum, Princeton University</em> 58, no. 1/2 (1999): p. 77–83., p. 83

3043 1999
https://www.jstor.org/stable/3774767

<p>"The checklist of the John B. Elliott Bequest," <em>Record of the Princeton University Art Museum </em>61 (2002): p. 49-99.</p>, p. 61

3025 2002
http://www.worldcat.org/oclc/191864564

<em>Princeton University Art Museum: Handbook of the Collection</em> (New Haven, CT: Yale University Press, 2007), 172 (illus.)

474 2007
http://www.worldcat.org/oclc/865020505

<em>Princeton University Art Museum: Handbook of the Collections </em>(Princeton, NJ: Princeton University Art Museum, 2013), p. 222

1994 2013