Currently not on view
Seated figure,
A.D. 1490–1520
More Context
Didactics
The compact proportions, simple yet anatomically sensitive modeling, and lack of individuality of this figure epitomize small-scale Aztec stone sculpture. The seated pose, with knees drawn up in front of the chest and arms crossed, resting on the knees, is a standard male posture, in contrast to the kneeling pose reserved for female subjects. The stoic expression captures the idealized Aztec commoner-humble, dignified, and anonymous. This piece probably served as a standard bearer, with the standard inserted in the ring formed by the figure's crossed arms. The object likely resided in front of a temple or shrine, hundreds of which were located throughout the Aztec empire in religious precincts, in private residential compounds, and at important natural landmarks. The smooth area at the top of the head may have taken a variety of headdresses in accordance with seasonal festivals and specific temple rites.
Information
A.D. 1490–1520
North America, Mexico, Central Mexico
2001, gift of Dr. Alvin E. Friedman-Kien, New York, to the Princeton University Art Museum.
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Harmer Johnson, ed. <em>Guide to the Arts of the Americas</em> (New York: Rizzoli, 1992), p. 81 (illus.)
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"Acquisitions of the Princeton University Art Museum 2001," <em>Record of the Princeton University Art Museum</em> 61 (2002): p. 101-142., p. 140 (illus.), p. 142
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<em>Princeton University Art Museum: Handbook of the Collection</em> (New Haven, CT: Yale University Press, 2007), p. 297 (illus.)
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<em>Princeton University Art Museum: Handbook of the Collections </em>(Princeton, NJ: Princeton University Art Museum, 2013), p. 349
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