Currently not on view
Still Life
formerly attributed to Juriaen van Streeck, Dutch, 1632–1687
This painting is a conundrum. It was acquired by the Princeton University Art Museum at auction in 1954 as a work by the seventeenth-century Dutch artist Juriaen van Streeck. The compositional type—a small panel in an upright format featuring a few exotic objects placed against a dark background—is very much like the work of Willem Kalf, among the greatest of the seventeenth-century Dutch still life painters and an important influence on his Amsterdam compatriot. However, the manner of execution is unlike Van Streeck’s signed and dated paintings; the candies with stray sugar particles and the strip of paper and the spoon on the lip of the roemer are not found in any other seventeenth-century Dutch still lifes, and the ceramic dish may be Japanese from the late seventeenth or the early eighteenth century rather than the wan-li porcelain familiar from similar paintings. Expert opinion is divided as to when it might have been painted or whether it is even Dutch at all. Research continues.
Information
n.d.
Europe, Netherlands
John Wells, Yarmouth, Norfolk (until 1866; sale, July 1866); N. Stchoukine, Berlin (until 1954; sale, Parke-Bernet, New York, November 3, 1954, lot 14, to Princeton University Art Museum.)
formerly attributed to Juriaen van Streeck, Dutch, 1632–1687
<em>Old Master & XVIII century paintings: XIX century paintings ... from the estates of the late Alan Rutherfurd Stuyvesant ... and other owners, public auction sale, Wednesday, November 3</em>, (New York : Parke-Bernet Galleries, 1954)., no. 14
4449 1954"Recent acquisitions", <em>Record of the Art Museum, Princeton University</em> 14, no. 1 (1955): p. 17-19., p. 17
3782 1955James B. Byrnes, <em>Fetes de la palette: an exhibition of European paintings and decorative arts from the mid-sixteenth through the mid-eighteenth century, dedicated to the "Delights of the Bountiful Table"</em>, (New Orleans, LA: Isaac Delgado Museum of Art, 1962)., pl. 45
4452 1962