Red-figure fish plate,

ca. 340–330 B.C.

Jane Cody, <em>Catalogue 4: ancient vases</em>, (Beverly Hills, CA: Summa Galleries, 1978)., no. 23

"Acquisitions of the Art Museum 1979," <em>Record of the Art Museum, Princeton University </em>39, no. 1/2 (1980): p. 40-63., p. 56

M. Mayo and K. Hamma, <em>The art of south Italy: vases from Magna Graecia</em>, (Richmond, VA: The Virginia Museum of Art, 1982)., cat. no. 110; Toledo's example = no. 111

A. D. Trendall, <em>The red-figured vases of Paestum</em>, (London: British School at Rome, 1987)., cat. no. 954, p. 235, pl. 114e. Asteas-Python Workshop; might well be by Asteas himself; by same painter as Naples 2550 and Toledy 77.30 (cat. nos. 953 and 956)

<em>Princeton University Art Museum: Handbook of the Collection</em> (New Haven, CT: Yale University Press, 2007), 331 (illus.)

<em>Princeton University Art Museum: Handbook of the Collections </em>(Princeton, NJ: Princeton University Art Museum, 2013), p. 201

Seth D. Pevnick, Robert I. Curtis, et. al., <em>Poseidon and the sea: myth, cult, and daily life</em>, (Tampa, FL: Tampa Museum of Art; London: in association with D. Giles Limited, 2014)., p. 148; cat. no. 66

Albert Bates, "Octopodal Pictoriality: The Self-Reflexivity of the Octopus in Graeco-Roman Art," <em>Art History</em> 47, no. 1 (2024): pp. 154-186., pp. 159-170; pl. 9