Currently not on view

Baluster-form vase with bird and flower design,

ca. 1880

Hayashi Kodenji 林小伝治, 1832–after 1911
Japanese
Meiji era, 1868–1912
2004-370
From the mid-nineteenth to the early twentieth century, Japanese cloisonné methods underwent a rapid transition. Artisans began to examine and copy objects imported from China that featured complex thin wire supports and dividers (cloisons), and then to work directly with European artisans. The result was an ability to create subtle cloisonné surfaces over ceramic, copper, gold, or silver vessels that featured minimal use of supporting cloisons, as well as the use of gold and silver cloisons for compositional effect. Most of these works were produced for export to Europe, where their high level of craftsmanship was much admired.

Information

Title
Baluster-form vase with bird and flower design
Dates

ca. 1880

Medium
Cloisonné enamel with silver and gold wire, silver and gilt fittings
Dimensions
h. 17.9 cm., diam. 10.6 cm. (7 1/16 x 4 3/16 in.)
Credit Line
Gift of Alice and Bernard Gerb in memory of Pauline Lester
Object Number
2004-370
Place Made

Asia, Japan

Signatures
Signed and sealed on the base: Hayashi Kodenji
Inscription
Engraved or stamped seal; like #18 in [Cuben & Feister] p. 209 except #18 reads Nagoya at top, while this is ? Chi
Culture
Period
Materials

– Gerd Lester and Pauline Lester collection, by inheritance to Alice Gerb (Princeton, NJ).<br> –2004 Alice and Bernard Gerb (Princeton, NJ), by gift to the Princeton University Art Museum, 2004. <br>